Click Clack, delves into the cultural resonance of sound and social presence, manifesting through a carved marble shoe shaped into a tongue. The choice of a shoe, particularly one that evokes the sound of a heel striking the ground, carries significant cultural weight. Specifically in India, the distinct click clack of a heel serves as an audible marker of social standing, signaling authority and confidence. This sound is not merely a physical noise; it resonates with social implications, communicating messages about status, power, and the presence of the wearer in any given space.
In contrast, the tongue, represented through the shoe's shape, symbolizes the potency of a woman’s voice. This duality in the artwork speaks to the intricate relationship between sound and social dynamics, emphasizing that presence is not solely determined by volume or assertiveness. Instead, the work invites contemplation of the subtle power of presence—the ability to influence social interactions and perceptions without raising one’s voice. This concept reflects the notion that the essence of communication often lies in non-verbal cues and the understated ways in which individuals assert themselves in society.
The Click Clack, 2024
Black Marble, Brass, 12 x 9.5 x 5 in.
Unified Knot is a mixed media sculpture that seamlessly blends a man’s bow tie with a woman’s hairstyle into a single, elegant knot. The bow tie, made from satin fabric, transitions smoothly into strands of hair-like threads, symbolizing the unity and harmony between different genders. This piece represents the balance and coexistence of masculine and feminine traits, creating a cohesive and meaningful representation of interconnectedness. By thoughtfully combining a man’s bow tie and a woman’s hairstyle into a single knot, you can create a powerful visual metaphor for unity, balance, and the seamless integration of diverse elements.
Unified Knot, 2024
Brass, 22 x 5.5 x 2.5 in.
Everyone is fluent and confident with their mother tongue. I titled this piece "Father Tongue," inspired by my father's wise advice about the value of silence. He taught me that while you might regret the things you say, you will never regret remaining silent. Interestingly, the tongue is the only part of our body that rests on the roof of the mouth. To symbolize this, I used an old pillow as a metaphor.
Father Tongue, 2024
Black Marble, Brass 12 x 9 x 8.5 in.
The Reticent presents a human head wrapped in cloth with a zip across the mouth, transforming a familiar object into a powerful symbol of restraint and selective expression. Much like a zip fastener opens or closes at will, this work reflects on the conscious choice of when to speak and when to remain silent. It invites contemplation on the tensions between public behavior and private thought, examining how we navigate social expectations while guarding aspects of our true selves. In line with my broader practice, this piece deconstructs everyday forms to explore the fluid, sometimes conflicted nature of identity and the subtle negotiations we perform within social structures.
The Reticent , 2023
Brass, Wood 8.5 x 8 x 5 in.
Leaving my cocoon like home, wishing to own the sky, I left my country and initiated my life of struggle here in the US. Earning bread, surviving alone was quite a task. This led me to create an art that describes a stage of life which is ful of chaos, adrenaline and confusion. And when you start figuring out things, it comes to a conclusion that life is very similar to a cobbler's anvil.
X, Y and Z , 2021
Bronze, 8.5 x 7 x 6 in.
In this sculpture, I have expressed my initial phase after landing on the grounds of the United States. There was no better way than to express my emotions via my art, in the form of a pregnant lady. So I created a half belly and half head. I faced a lot of difficulties here. But I knew the result was going to be first-rate. What I experienced during that time was very different from what I assumed my life in the States would be. The rough and polished surface of the sculpture defines that difference.
Self Portrait 3.0, 2021
Bronze, 11 x 8 x 8 in.
Untitled , 2021
Aluminium, 13 x 5 x 3 in.
As the saying goes, “Like father, like son,” a child often tries to emulate his father, mirroring his actions and even attempting to fit into his father's big and heavy shoes. This sculpture captures that very sentiment, portraying the child's desire to be like his real-life hero, his dad. Even though the child knows his feet are too small to fill the shoes, and he can't walk in them due to the large gap, the aspiration remains. To represent this, I created the shoes from metal and the feet from wood, symbolizing the significant gap the child strives to overcome.
Copy Cat, 2021
Brass, Wood 12 x 10 x 8 in.
